In this lesson, students continue their examination of Tocqueville’s argument about the power of the majority and its consequences. Having suggested previously that the majority can crush a minority without even hearing its screams, he elaborates on the dangers of unchecked and unlimited power in democratic America and how to deal with it.
In this lesson, students are introduced to Tocqueville’s argument about the “omnipotent” power of the majority in America and its consequences. After an initial statement that the “very essence” of democracy is majority rule, he contrasts the means by which state constitutions artificially increase the power of the majority with the U.S. Constitution, which checks that power.
Lesson 2 is a study of symbols in William Golding’s novel "Lord of the Flies." After reviewing the general concept of symbolism, students focus on four of the most dominant symbols that permeate the novel: the island itself; the conch; the Lord of the Flies effigy; fire.
Lesson 3 involves distinguishing between a literary topic and a literary theme. It articulates a variety of William Golding’s themes implicit in the novel Lord of the Flies" and has students recognize the dominant theme of human nature’s propensity for destruction.
This lesson focuses on character analysis throughout William Golding’s novel Lord of the Flies. While contemplating both direct and indirect characterization techniques, students will be able to consider how characterization builds relationships among the boys in the novel.
In this lesson, students will learn that enslaved people resisted their captivity constantly. Because they were living under the domination of their masters, slaves knew that direct, outright, overt resistance—such as talking back, hitting their master or running away—could result in being whipped, sold away from their families and friends, or even killed.
Lesson 3 guides students through Melville’s seamless integration of several literary genres—sermon, scientific writing, drama, and hymn—and moves into an analytical discussion of "Moby-Dick" as a masterwork that goes above and beyond the appeal of its fictional genre.
Lesson 2 has students perform a close reading of one genre, dramatic script, in Chapter 37, to examine Melville’s characterizations of Ahab as a foil to Ishmael. Students then analyze the shifting perspectives that this chapter provokes within the novel, and delve deeply into Melville’s complex protagonist – the multifarious character of Captain Ahab. Finally, this lesson addresses the impact this drastic shift has on the reader.
Lesson 1 has students explore Melville’s development of his first person narrator Ishmael through a close reading of Chapter 1. Students will consider Ishmael’s positioning of the Fates in the novel and the extent to which this positioning makes a narrative shift necessary to understanding the perspective of other characters.
Curriculum unit of three lessons explores Williams’s use of expressionism to more fully comprehend the theatrical devices and themes in The Glass Menagerie. In Lesson 1, students identify and explicate Williams’ expressionist techniques.
